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Nothing retro here, just good old-fashioned individuality.
Spirited, worldly, sensible and sensitive…..Volpicella doesn’t sound like someone else, nor does his music…..
The painstaking effort behind the retuning serves an extra-musical agenda: ”to split open and decolonize/the sacred 88,” as Mr. Modirzadeh describes it in a poem printed on the album’s inside flap.
Volpicella appears on only two tracks, but it’s enough to make a big impression. His post-chromodal lines heard on “Interlude IV” are done with such unusual phrasings on his guitar, it would have been worth further investigation.